‘The ’90s Show’s biggest mistake was its theme song

‘The ’90s Show’s biggest mistake was its theme song

Reboots and spin-offs are the industry’s favorite gamble, and while I admit to enjoying the wave of nostalgia every now and then, it’s time to reckon. Leave the original theme songs alone and just pick a new one [cuss redacted] heads!

Netflix is ​​the latest show to make the savvy (and arguably lazy) production choice. That ’90s showfeaturing Cheap Trick’s iconic song “In the Street”(Opens in a new window) It has morphed into a ’90s capsule through a grunge remix and a VCR montage. Yes, it may be advisable to remake it in a more ’90s sound, but “In the Street” is exclusively about Eric (Topher Grace), Donna (Laura Prepon), Kelso (Ashton Kutcher), Jackie (Mila Kunis ), Fez (Wilmer). Valderrama), and Hyde (Danny Masterson). And he still deserves it their a song. Before you call me dramatic, let me make my case.

In the world of runway shows, a single theme song can help boost a show’s popularity, longevity and memorability. You may not remember an exact episode of it The Golden Girls, but you’ll always be about to burst into “Thanks for Being a Friend” if someone dares to play the first note. (And then you will no doubt say, “We should watch again The Golden Girls.”) I can say the same thing about him Friends, The Big Bang Theoryor How I met your mother. One second of The Rembrandts’ “I’ll Be There For You,” and suddenly you’re clapping along to the beat.

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These shows may have had their ups and downs, but their theme songs remain iconic. In part, this is because they are objectively great and catchy songs. It is also because we have grown up with them. In the pre-“skip-in” era, we spent seasons upon seasons listening to these same theme songs play while our characters spun around a fountain or joked around a bar with pictures to prove it. There were sitcom theme songs long. The problem with That ’90s show is that it sets itself up as a sitcom, but still adheres to the Netflix binge model – which feels kind of awkward. You’re not encouraged to watch the intro, and when you do, it’s awful because it’s so short.

Part of the joy of old sitcom intros was seeing your favorite ragtag gang doing what they did along with whatever iconic music you associated with them — even if the experience lasted for the frightfully long time of a full minute. I that 70s show, he was watching Eric take his friends in his Vista Cruiser with everyone singing along to “In the Street.” But i That ’90s show, we suddenly get a performance of the song (not very good, whoops) and a sequence of Leia (Callie Haverda) filming her friends that ends before you know it. Besides the awkward length, if we’re thinking about how imprinted a theme song is in sitcom DNA (think back to my Golden Girls and Friends argument), then looking to use it with a new group of faces feels wrong and kind of invasive.

It’s kind of like “Hey?” What are with you Which makes sense, because you are connected to a specific set of chords with a specific set of comfort characters. I That ’90s show‘s finale, for example, we see a wonderful montage with Kim Wilde “Kids in America” ​​as Leia reminisces about the summer when things finally felt fun. That could easily have been the opening track and scene of the show. It’s a song. It is an ode to youth. It hones perfectly That ’90s showas he introduces us to his new generation. And it is what they deserve.

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I guess what I’m trying to say is that if you’ve already dedicated an entire show to imagining a new moment for a new set of characters, it’s okay to keep imagining and creating something that exists they are alongside the canon. part of it, rather than eclipsing it. And the easiest way to do that, in my opinion, is to completely change the theme song to mark the beginning of a new era. It’s like an anime show with a thousand episodes that keeps changing its theme song to match a new arc. That ’90s show there is something to learn from it One piece.

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